Start anywhere; go everywhere. So, just as a coherent string of words creates a sentence, or several clicks creates data tracking, an assortment of visual qualities or even strategic marks can be combined to produce an image. This would imply that a similar logical or systematic approach could be used to produce paintings, but what if these paintings end up serving another purpose/experience as well? I would like to describe this exciting feeling while looking at superimposed images of my work together while at the display stage . There is something important here. Isn't the concerns of Henri Matisse the same as when he allows random images to settle in his collages.I ended up rediscovering my recent work Task Three through haphazard photographs which made me think more and more of the idea of working through a puzzle.
The presentation and display of the works enhances the visual interplays already at work within the images; at different times hinting towards Op Art. The notion of the void is also accentuated between the paintings. The vibrant colors and dramatic mark-making of the numerous paintings in this arrangement are rhythmically balanced; however a different placement could be as interesting as well, challenging the perception of the additive and subtractive.The variety in line,shapes and colours create spatial transformations, fragmenting and reinventing images and patterns as we view on; operating like a puzzle. As self-observation, I find myself thinking of my paintings as images present in the microscopic details of molecules, atoms and particles; to the telescopic magnificence present in the stars and the cosmos.
The finished work as displayed.
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