Sunday 7 June 2015

The Most Important Annual Group Exhibition in Mauritius.


 
The 34th Salon De Mai (at the School of Fine Arts/University of Mauritius,MGI, Moka,-27th May to 7th June 2015) can be said to be a mitigated success. Different from last year's; this year was centered around the theme 'Black and White' and much attention was given to detail and background while organising the exhibition. Personally I found the exhibition instructive and enriching where 55 artists (myself amongst them) were given a platform to express their views and concerns. 

Being emersed in this art world during the active exhibiting period is thrilling and rewarding;emphasising how the importance of this activity represents a boost for the survival of my artistic soul. This is where I belong. This is also where I long to be each and every time; as I struggled to remain faithful to my art; to hold on tight when doubt and insecurities creep on silently and catch me unaware. Do I long for recognition? I think I do; however, I feel more for the artwork which I "gave birth to". Here is the place where it will blossom and glitter and shine;here is also the place where it will remain as a memory.

As I said, to me the success was "mitigated" in the sense that this year; more emphasis was laid on to the sensationally political statements present in some artworks. As this article in the local newspaper argues; the audience is much more interested in the artwork which critiques its society. 
There has been changes in the political scenery recently and reflecting upon this in art is commendable. However, where am I amidst all of this? My audience was very encouraging; remarks flowed from everywhere and I could sense the viewers enthusiasm as they enjoyed my art. However I also noted that I was not in the limelight as those political outcries. Have I gone unnoticed to some people? Was it important to be in the limelight? Should I bring change to my art as a result? As I have always said; I am in favour of an art that remains sincere and simple. Does the public feel for this kind of art? And the most important question above all: DOES IT REALLY MATTER?